Famous Landmarks in Milan

Milan Cathedral

1386–1965 · Simone da Orsenigo

A Gothic cathedral whose roofline bristles with pinnacles and flame-shaped tracery in the Flamboyant style, a design built up piecemeal between the fourteenth and twentieth centuries; its sheer bulk makes it the largest church in Italy, smaller only than St Peter's Basilica across the border in Vatican City.

Milan Cathedral is dedicated to the Nativity of St Mary and serves as the seat of the Archbishop of Milan. Construction began in 1386 under the design of Simone da Orsenigo, and the building was worked on, in stages, for nearly six centuries before its final details were completed in 1965. Built in the Italian Gothic style with Flamboyant detailing, it is the largest church in the Italian Republic — only St Peter's Basilica, in the separate state of Vatican City, is larger — and carries Italian national heritage status.

• Its construction spanned nearly six hundred years, from 1386 to 1965.
• The death date of Simone da Orsenigo, credited with starting the design, is not recorded.

Photo: Jakub Hałun (CC BY-SA 4.0)

Galleria Vittorio Emanuele II

1877 · Giuseppe Mengoni

Two shop-lined arcades crossing at a central point beneath a four-story Renaissance Revival facade, named for Victor Emmanuel II, the first king of a unified Italy, and described as the country's oldest active shopping arcade.

The Galleria Vittorio Emanuele II is a four-story double arcade at the centre of Milan, named after Victor Emmanuel II, the first king of the Kingdom of Italy. It was designed in 1861 by the architect Giuseppe Mengoni and built between 1865 and 1877. Built in the Renaissance Revival style, it functions as a commercial gallery and architectural ensemble, and is described as Italy's oldest active shopping arcade. It carries Italian national heritage status.

• Mengoni died in 1877, the same year the arcade he designed was completed.
• The design was drawn up in 1861, four years before construction on it began.

Photo: Paolobon140 (CC BY-SA 4.0)

Sforza Castle

1368

A large fortress complex rebuilt at the turn of the twentieth century by Luca Beltrami, now functioning as a museum quarter that houses several of the city's collections; its scale recalls a citadel once counted among the largest in Europe.

Sforza Castle is a fortress in Milan whose core, per catalogue records, dates to 1368, raised over the remnants of an earlier medieval fortification. The castle recognizable today largely took shape in the fifteenth century, when Francesco Sforza, Duke of Milan, rebuilt and enlarged it; the architect Filarete, who died in 1469, is credited with work of that period. By the sixteenth and seventeenth centuries it ranked among the largest citadels in Europe. It was extensively rebuilt again by Luca Beltrami between 1891 and 1905, and now houses several of the city's museums and art collections.

• At its height in the sixteenth and seventeenth centuries it was one of the largest citadels in Europe.
• It was extensively rebuilt as recently as 1891–1905, more than five centuries after its first fortifications went up.

Photo: Jakub Hałun (CC BY-SA 4.0)

Santa Maria delle Grazie

The convent's refectory holds Leonardo da Vinci's mural of The Last Supper. The church itself combines Gothic and Renaissance building phases carried out by different architects across the fifteenth and twentieth centuries.

Santa Maria delle Grazie is a church and former Dominican convent in Milan, recognized as a UNESCO World Heritage Site. Its refectory holds the mural of The Last Supper, painted by Leonardo da Vinci. The building combines Renaissance and Italian Gothic architecture and is credited across its history to at least three architects: Guiniforte Solari, who died in 1481, Donato Bramante, who died in 1514, and Piero Portaluppi, who died in 1967. It is classified as a minor basilica, a church building and an abbey church, and carries both World Heritage and Italian national heritage status.

• The refectory holding Leonardo da Vinci's Last Supper is a separate space from the church itself.
• Its credited architects span five centuries: the earliest died in 1481, the latest in 1967.

Photo: José Luiz (CC BY-SA 3.0)

Arco della Pace

1838 · Luigi Cagnola

A freestanding triumphal arch in the Italian Neoclassical style, designed by Luigi Cagnola and completed in 1838, five years after his death.

Arco della Pace is a freestanding triumphal arch and monument in Milan, built in the Italian Neoclassical style. It was designed by the architect Luigi Cagnola, who died in 1833. Work on the arch continued after his death, and the structure standing today was completed five years later, in 1838, making it one of the city's neoclassical monuments from that period.

Photo: Filip Maljković from Pancevo, Serbia (CC BY-SA 2.0)

Basilica of San Lorenzo

4th century–1619 · Martino Bassi

A square-planned church framed by four projecting apses and corner towers, capped by a dome rebuilt in the early seventeenth century after the original collapsed; the building rises on an artificial mound at the edge of the old city walls.

The Basilica of San Lorenzo Maggiore is a Roman Catholic church in Milan, among the oldest in the city, raised in the late fourth or early fifth century. Scholars dispute whether it predates the four Ambrosian basilicas or was commissioned under Theodosius I, but agree it was the largest centrally planned building then standing in the West, possibly an imperial mausoleum. Fire damaged it in 1071, and its dome collapsed in 1573; the replacement, designed by Martino Bassi in a more modern style, was completed in 1619. Renaissance architects including Bramante and Leonardo studied its classical forms.

• The basilica's dedication to St Lawrence is confirmed only from 590, more than a century after the building itself went up.
• Historians remain divided on its original purpose, reading it either as an imperial basilica meant to rival Rome and Constantinople or as a mausoleum for the Theodosian dynasty.
• The open ground behind the church, known as the Vetra, was used for public executions from the eleventh century until 1840.

Photo: G.dallorto (CC BY-SA 2.5 it)

Basilica of Sant'Ambrogio

379–1140

Built mostly of brick with sections of stone and white plaster, the church fronts an arcaded atrium. Two mismatched bell towers flank it: a squat one from the ninth century, and a taller one begun in 1144 whose top floors were only added in 1889.

The Basilica of Sant'Ambrogio is a Roman Catholic church in central Milan, one of the city's oldest. It was commissioned in 379–386 to hold the graves of Roman-era martyrs, part of a group of churches built to assert one Christian faction's authority during a doctrinal dispute, and was later renamed after the bishop who founded it. Restored and partly rebuilt repeatedly, the church took its present Romanesque form in the twelfth century, when its nave and rib vaults were completed. Bombing in 1943 damaged the apse, which was later rebuilt.

• In 1492 the Benedictines commissioned Donato Bramante, later the structural architect of St Peter's Basilica in Rome, to renovate the monastery's rectory.
• The church's two bell towers were built roughly three centuries apart; the taller one, begun in 1144, did not get its top two floors until 1889.
• An accord known as the Peace of St. Ambrose, settling a dispute between the city's noble and popular factions, was signed inside the church in 1528.

Photo: Maurizio OM Ongaro (CC BY-SA 3.0)

San Siro

1925–1990

Three tiers wrap around three of the stadium's four sides, resting on eleven cylindrical support towers linked by external spiral ramps, with a roof carried on distinctive protruding red girders visible above the stands.

Construction began in 1925 on a private, football-only stadium commissioned by a Milanese club's president, unlike the athletics-track stadiums Italy usually built with public funds. It opened in 1926 with a match its home club lost 6–3 to its crosstown rival, which became a tenant itself in 1947; the two clubs have shared the ground since. Engineers Armando Ronca and Ferruccio Calzolari extended it between 1948 and 1955, adding tiers reached by nineteen 200-metre spiral ramps. A 1987–1990 renovation, by architects Giancarlo Ragazzi and Enrico Hoffer with engineer Leo Finzi, added a third tier to three of the four sides.

• It opened in 1926 with a match its home club lost 6–3 to the crosstown rival that would become a co-tenant in 1947.
• A 1948–1955 expansion aimed to raise capacity to 150,000 using new tiers reached by nineteen spiral ramps, each 200 metres long, but the highest tier was abandoned partway through construction.
• Its 1987–1990 renovation added a roof carried on eleven concrete support towers, four of which double as corner supports, with distinctive protruding red girders.

Photo: Boris Paladino (CC BY-SA 4.0)